我们需要衣服有口袋，因为它可以装东西，可以给予温暖，因为它贴身，能够守住秘密。本片打破了这个常识，一个男人拥有一个可以连接任意口袋的“万能口袋”。男主角无意中发现了这个秘密，他和女友的性命危在旦夕。

我们需要衣服有口袋，因为它可以装东西，可以给予温暖，因为它贴身，能够守住秘密。本片打破了这个常识，一个男人拥有一个可以连接任意口袋的“万能口袋”。男主角无意中发现了这个秘密，他和女友的性命危在旦夕。

As part of Harun Farocki's intense exploration of "intelligent" machines, the video shows how military image and control techniques successively seep into everyday life. With its stance between enlightenment and protest, this split-screen work stands for a widespread ambivalence at the end of the 1990s. 　　源自：https://www.kasselerdokfest.de/en/screenings/s-9df12040-61d4-eb46-b7a5-ace30b302161

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, mapping and object recognition, in order to take a closer look at the relationship between man, machine, and modern warfare.

主人公鹰原羽依里为了整理已故祖母的遗物，利用暑假时间独自来到了鸟白岛。当他走下一天只有几班的渡轮时，遇见了一名少女。她任由海风吹拂着头发，只是凝视着远方……并非大海也并非天空的分界线。回过神来，少女已经不知去向，羽依里一边因为这件事而困惑，一边前往祖母家。而亲戚姨妈正在祖母家里整理遗物。羽依里一边帮忙整理充满祖母回忆的遗物，一边因为初次接触的「小岛生活」而困惑，但还是逐渐适应了。与都市生活中从未体验过的自然亲密接触。这种生活仿佛能让人回想起已经忘记但令人怀念的事物。邂逅了凝视大海的少女。邂逅了寻找神秘蝴蝶的少女。邂逅了寻找回忆和海盗船的少女。邂逅了生活在宁静灯塔的少女。在岛上交到了新的伙伴—— 他心想，要是这个暑假永远不会结束就好了。

主人公鹰原羽依里为了整理已故祖母的遗物，利用暑假时间独自来到了鸟白岛。当他走下一天只有几班的渡轮时，遇见了一名少女。她任由海风吹拂着头发，只是凝视着远方……并非大海也并非天空的分界线。回过神来，少女已经不知去向，羽依里一边因为这件事而困惑，一边前往祖母家。而亲戚姨妈正在祖母家里整理遗物。羽依里一边帮忙整理充满祖母回忆的遗物，一边因为初次接触的「小岛生活」而困惑，但还是逐渐适应了。与都市生活中从未体验过的自然亲密接触。这种生活仿佛能让人回想起已经忘记但令人怀念的事物。邂逅了凝视大海的少女。邂逅了寻找神秘蝴蝶的少女。邂逅了寻找回忆和海盗船的少女。邂逅了生活在宁静灯塔的少女。在岛上交到了新的伙伴—— 他心想，要是这个暑假永远不会结束就好了。